Review:
Karen Zoid’s wonderful debut album, ‘Poles Apart’, brashly
grabbed a
major label release on EMI and arrived just as a new wave of South
African rock acts were starting to make their presence felt,
particularly Afrikaans bands. The movement needed a figurehead, and in a year
in which the ladies led the pop-rock procession from the front, it got just
that. Up stepped this smart, confident, vulnerable, funny,
sneering, sweet, blonde rocker, with a sack of great songs, and an
enthusiasm and belief in her and our music that should be bottled and
made required sprinkling for all our South African artists and record
companies. ‘Poles Apart’ was exactly the intelligent, emotional, and
balming album that we needed to get through a tough year. Try imagining
a blend of classic SA albums like ‘Edi Niederlander’s ‘Ancient
Dust’,
‘The Pressure Cookies’, and Koos Kombuis’ ‘Elke Boemelaar
se Droom’ and
you’re getting warm.
This remarkably mature and consistently unboring album opens in stirring rock
style with the rough, dramatic guitar chords of 'Set of Wheels (Karoo
Anthem)’, which also drove off with the SA Rock Digest ‘Song Of The
Year’ for 2001. Our new favourite South African road song warns us that
we’re off on a Zoidian journey through contemporary SA. Travel under soft,
folky ‘Southern Skies’, meet a very sarcastic ‘Waitress’
("The food here is tasteless!"), and catch a ride with a chatty taxi
driver who will tell you that "we live in a land where our celebrities are
TV continuity announcers". She assures us that ‘Afrikaners is
pleserig’ ("Dit kan julle glo!") and reveals that all her
friends are ‘Yuppie scum’ ("they got the money, but I got the
fun"). And dangling constantly from the rear-view mirror, and protecting
us on this wild trip, is her ‘Engel’, an honest and utterly gorgeous
two-and-a-half minute confessional ("Ek is so dronk soos Koos Kombuis, ek
het geen swembad by my huis; My sister woon in Potchefstroom, die mense daar
rook almal boom.").
On ‘Poles Apart’, Karen Zoid teases, rants and rocks her way through
14 tracks of perceptive, humorous and sensitive English and Afrikaans lyrics, all
set to a backdrop of imaginative and solid South African rock sounds. It is an
obvious and unanimous choice for our SA Rock Album of the year. As Nobesotho
informed the nation, as she left the Big Brother house: "Chicks
Rule!!". She’s absolutely right.
Stephen Segerman, December 2001
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